A decrepit drive-in movie theater screens a 1947 noir spoof, “My Favorite Brunette,” for seemingly no other reason, possibly, than that Bob Hope and Dorothy Lamour get locked up in a sanitarium. Stone is easily satisfied by his visual imagination. A video screen above Lizzie Clachan’s realistic set reveals live shots of the singers, sometimes close-ups of them onstage, sometimes in rooms or places not seen onstage. The action takes place on a revolving set, continually changing perspective.
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